Saturday, 23 October 2010
DAP Starry Night Painting
I spent the day moving flat today so did not get the chance to take pictures.
Following from yesterday's post and inspired by one of Pavel's posts about the Dynamic Auto Painter, I thought I give it a try and see how it works.
This is the picture I posted a while ago during my Looking Back week after being ran though the Starry Night preset in Dynamic Auto Painter. While it won't make me a Vincent Van Gogh, the results are excellent and great fun to experiment so give it a try.
Friday, 22 October 2010
Starry Night
iPhone 4
This is a quick snapshot with my iPhone while waiting for the train, I have processed it a bit in Photoshop to remove the noise slightly.
Although the picture is not all that great I had the title 'Starry Night' in mind so I thought to post the poem written by Tupac Shakur and dedicated to Vincent VanGogh:
This is a quick snapshot with my iPhone while waiting for the train, I have processed it a bit in Photoshop to remove the noise slightly.
Although the picture is not all that great I had the title 'Starry Night' in mind so I thought to post the poem written by Tupac Shakur and dedicated to Vincent VanGogh:
'A creative heart, obsessed with satisfying
this dormant and uncaring society
you have given them the stars at night
and u have given them
Bountiful Bouquets of Sunflowers
but 4 u there is only contempt
and though u pour yourself into that fame
and present it so proudly this world
could not accept your masterpieces
from the heart
So on that starry night u gave 2 us
and u took away from us
the one thing we never acknowledged
your life.'
this dormant and uncaring society
you have given them the stars at night
and u have given them
Bountiful Bouquets of Sunflowers
but 4 u there is only contempt
and though u pour yourself into that fame
and present it so proudly this world
could not accept your masterpieces
from the heart
So on that starry night u gave 2 us
and u took away from us
the one thing we never acknowledged
your life.'
I really like this poem and Tupac has written a few other very good poems in the book 'Rose that grew from concrete'.
Thursday, 21 October 2010
Wednesday, 20 October 2010
Tuesday, 19 October 2010
Fallen Down
iPhone 4, f2.4, ISO 80, JPG
I found a really cool app called 'Pudding Camera' for the iPhone which allows to change films and use different 'cameras'. The app is in Korean but it's free and gives even more of a Lomo feel to the iPhone camera, you can choose a fish-eye camera, a camera taking 4 sequential pictures and combining them into one, a panoramic camera and other camera types while combining each with different films for the desired look. The only ownsides are that this program is only in Korean and that it can not save images larger than 1200 pixels.
I like what it can do and after playing with it I kind of hope a camera manufacturer will release a proper Lomo or Holga digital camera, something which just allows someone to have fun. It's too easy to get carried away with technicalities in digital photography and forget that photography is also about fun.
Monday, 18 October 2010
Speedy
GF1, f4, 1/30, ISO 160, JPG, 28mm (Panasonic f4.0 7-14mm)
I can't say exactly why I like this picture but I do like it for some reason. It's one of those mistakes that turn out better in ome ways than expected.
Sunday, 17 October 2010
Saturday, 16 October 2010
Greenwich Maritime University
Today was the first day when I had enough time to go out and use my new 14-28mm lens for the GF1, I decided to post a series from the pictures I took around Greenwich University.
Friday, 15 October 2010
Thursday, 14 October 2010
Colored Lights
GF1, f4.0, 1/80, ISO 400, JPG, 14mm (Panasonic f4.0 7-14mm)
This is a picture I wanted to take but never could since even 28mm did not give me the perspective and field of view I wanted. Now with the 14mm lens it worked just great.
Wednesday, 13 October 2010
The Door
GF1, f4.0, 1/100, ISO 200, JPG, 14mm (Panasonic f4.0 7-14mm)
After using 40mm and 50mm lenses for quite a while it is not easy to use such a wide lens but I like the field of view provided. Now I just need to remember to move closer instead of further away.
And I really wish the GF1 would have a electronic leveler since holding this lens level is not easy.
Tuesday, 12 October 2010
Look Upwards
GF1, f4, 1.3 sec., ISO 200, RAW, 18mm (Panasonic f4.0 7-14mm)
Today, I got my new 7-14mm lens from Japan. It is a fantastic lens and since I am a big fan of wideangke photography it was the next logical step. I wanted to get the new 14mm f2.5 lens from Panasonic but the poor quality made me re-think that decision. While I did not have too much time to take pictures I like the lens very much so far and can't wait to try it out propery tomorrow.
Monday, 11 October 2010
Laughing Behind Your Back
GRD III, f2.5, 1/217, ISO 64, JPG cross process
Yesterday, I used manily the high contrast b&w mode so this time I decided to use one of the pictures I took with the cross process mode. Some might find these scene modes pointless since you can do this with Photoshop anyway but for me they are fun and allow me to visualize the shot with these settings applied so my composition might change but what will surely change is my approach to taking pictures and this can't be emulated in Photoshop.
Sunday, 10 October 2010
Backlit
GRD III, f8.0, 1/1070, ISO 64, JPG high contrast b&w
On Friday, Ricoh has released another function enhancing firmware update for the GRD III (you can download it here). I only got around to install it today but went for a quick walk right after to try it out.
First thing, it is really cool that Ricoh has added the 'High Contrast B&W' and the 'Cross Process' modes to the GRD III (I hope we will soon see these in the GXR modules, too). The downside is that Ricoh has not added these under the image settings so they cna easily be used in any mode and also alongside shooting RAW but have instead opted to add these as scane modes. This is ok to have some fun but it limits the usability a lot since you can not only not shoot RAW alongside but you have to live with full Auto mode here.
So while I applaud Ricoh for adding these modes to the GRD III, I hope they can make these modes more usefull by moving them where they belong under the image settings. Still, how many manufacturers keep releasing function enhancing firmware updates for their cameras so what Ricoh is doing is excellent.
Saturday, 9 October 2010
1h with the CX4 in Cologne
I have not been very good with updating my blog recently, it's been a mixture of not being inspired and an bit lazy coupled with some realld dull, grey and rainy weather.
So when I went to Germany again for the weekend and had the chance to take a CX4 out for a spin on a bright and sunny day I could not resist. Sometimes what one needs is not fantastic image quality and plenty of manual control, sometimes it's all about having fun and some nice weather.
I decided to post a series of some of my favorite pictures taken with the different creative shooting modes found in the CX4 and hopefully some soon in the R10 GXR module. I had the most fun using the toy camera and the high contrast b&w modes.
Since I have not posted in a while it will be a longer series than usual to make up fo it.
So when I went to Germany again for the weekend and had the chance to take a CX4 out for a spin on a bright and sunny day I could not resist. Sometimes what one needs is not fantastic image quality and plenty of manual control, sometimes it's all about having fun and some nice weather.
I decided to post a series of some of my favorite pictures taken with the different creative shooting modes found in the CX4 and hopefully some soon in the R10 GXR module. I had the most fun using the toy camera and the high contrast b&w modes.
Since I have not posted in a while it will be a longer series than usual to make up fo it.
Tuesday, 28 September 2010
Monday, 27 September 2010
Sunday, 26 September 2010
Walk in Düsseldorf
After being inside at Photokina for the last two dazs it was good to get out and get some air so Düsseldorf seemed like the best place. Here is a small series from the walk all taken with the Ricoh GXR and A12 50mm module.
Saturday, 25 September 2010
Photokina 2010 - Day 2
After the first day where it was more about trying out lenses and trying to see everything I had more time to relax and stroll around on the 2nd day. It was good to focus on taking some pictures but also having a chat with Ricoh and trying out the new 28mm f2.5 A12 GXR module.
This post will feature some of my favorite pictures I took during Photokina but also some news from Ricoh.
The most exciting thing about Photokina this time was how many serious compact cameras hav been announced and were available. Two years ago it was only Ricoh and Panasonic to offer interesting compact cameras, now almost every manufacturer had something to show.
Ricoh had more cameras than ever this time although most were modules for the GXR. The most interesting module is certainly their new 28mm module. First let me say that Ricoh has managed to get it to focus very fast and thankfully they have not compromised the module by including a macro mode. Funny enough they told me that the question they had most about it was how to turn the macro mode on ;).
It works great from my time with it and is the module I would have liked to see being released at the start to complement the 50mm A12 module instead of the S10 module whcih still does not really seem to make sense in the lineup. I can't wat to get my hands on a sample and try it out properly.
Now a lot of people will surely wonder what will happen with the GRD line now? This is indeed an excellent question, afterall the new GXR module offers the same focal length with a much bigger sensor and is only slightly bigger.
I have asked Ricoh and according to them the GRD is still their high end line and they will not abandon it although they could not say how the new GRD will look like but it will come out next year around September when the line is due to be renewed.
While I am not sure how the new GRD will fare against the 28mm A12 module for the GXR or even against the mirrorless interchangeable camera competition I am glad to hear that Ricoh will continue the line. My wish for the GRD IV is as often mentioned a b&w sensor and I also hope for a return to basics. The GRD I was so successfull because it was simple, it did not pretend to do much but what it did it did better than all other compacts at that time. Now the market is saturated with advanced compacts offering f2.0 lenses and most of these cost a lot less than he GRD III. Sure, the GRD III is the most adavanced small sensor compact camera and has the best lens but it is difficult to take it over a Panasonic LX5 for example.
Here Ricoh will need to offeragain something unique with the GRD IV and I like to see them using the GR1 body as is, even leaving out the LCD screen if necessary but making a digital back for it with a custom 2/3" or maybe even APS b&w sensor. Basically they should get rid of all the fancy stuff the GRD III offers and just go back to one aperture dial, one EV compensation dial and a bitton to change the focus mode, this with a OVF like the Fuji X100, phase detection AF and it would have something unique again that nobody offers.
The only other new camera Ricoh had was the CX4 and as you might know I am a big fan of the CX series and really like the new creative modes Ricoh has added to the CX4. One thing I don't like is the new handgrip design and the color choices. Ricoh really needs to stop messing around with the handgrip design, it was almost perfect on the R10 and has gotten worse since then. Also the color options don't look as nice as the bronze colored R10 or the rose colored CX1.
When asked about new GXR modules Ricoh just mentioned that they will indeed release a much requested sensor only module wih a lens mount but no decision has been made as to which mount they will use although it will have an APS sensor.
Ricoh will also release one or more non-camera modules for the GXR and most likely it will be the mass storage module to be relesased first.
Now if you're wondering what the GRD does on the peppermill then wonder no more, after my Flash Photography hints I give you another tip on how to best improvise and use your environment if you're out with friends and don't have the necessary tools to help with your photography.
Should you ever need a tripod in a restaurant to take a nice, non shaky picture of you and your friends you can make do with some glasses but you rish someone bumping the table and your camera getting drowned. The solution is simple, if the restaurant you're eating at has a Peugeout peppermill you can unscrew the top and screw the camera with the tripod mount to the peppermill. Voila, you have a nice table sized tripod which you cna even use to take a 360 degree panorama if you like by rotating the top :).
This post will feature some of my favorite pictures I took during Photokina but also some news from Ricoh.
The most exciting thing about Photokina this time was how many serious compact cameras hav been announced and were available. Two years ago it was only Ricoh and Panasonic to offer interesting compact cameras, now almost every manufacturer had something to show.
Ricoh had more cameras than ever this time although most were modules for the GXR. The most interesting module is certainly their new 28mm module. First let me say that Ricoh has managed to get it to focus very fast and thankfully they have not compromised the module by including a macro mode. Funny enough they told me that the question they had most about it was how to turn the macro mode on ;).
It works great from my time with it and is the module I would have liked to see being released at the start to complement the 50mm A12 module instead of the S10 module whcih still does not really seem to make sense in the lineup. I can't wat to get my hands on a sample and try it out properly.
Now a lot of people will surely wonder what will happen with the GRD line now? This is indeed an excellent question, afterall the new GXR module offers the same focal length with a much bigger sensor and is only slightly bigger.
I have asked Ricoh and according to them the GRD is still their high end line and they will not abandon it although they could not say how the new GRD will look like but it will come out next year around September when the line is due to be renewed.
While I am not sure how the new GRD will fare against the 28mm A12 module for the GXR or even against the mirrorless interchangeable camera competition I am glad to hear that Ricoh will continue the line. My wish for the GRD IV is as often mentioned a b&w sensor and I also hope for a return to basics. The GRD I was so successfull because it was simple, it did not pretend to do much but what it did it did better than all other compacts at that time. Now the market is saturated with advanced compacts offering f2.0 lenses and most of these cost a lot less than he GRD III. Sure, the GRD III is the most adavanced small sensor compact camera and has the best lens but it is difficult to take it over a Panasonic LX5 for example.
Here Ricoh will need to offeragain something unique with the GRD IV and I like to see them using the GR1 body as is, even leaving out the LCD screen if necessary but making a digital back for it with a custom 2/3" or maybe even APS b&w sensor. Basically they should get rid of all the fancy stuff the GRD III offers and just go back to one aperture dial, one EV compensation dial and a bitton to change the focus mode, this with a OVF like the Fuji X100, phase detection AF and it would have something unique again that nobody offers.
The only other new camera Ricoh had was the CX4 and as you might know I am a big fan of the CX series and really like the new creative modes Ricoh has added to the CX4. One thing I don't like is the new handgrip design and the color choices. Ricoh really needs to stop messing around with the handgrip design, it was almost perfect on the R10 and has gotten worse since then. Also the color options don't look as nice as the bronze colored R10 or the rose colored CX1.
When asked about new GXR modules Ricoh just mentioned that they will indeed release a much requested sensor only module wih a lens mount but no decision has been made as to which mount they will use although it will have an APS sensor.
Ricoh will also release one or more non-camera modules for the GXR and most likely it will be the mass storage module to be relesased first.
Now if you're wondering what the GRD does on the peppermill then wonder no more, after my Flash Photography hints I give you another tip on how to best improvise and use your environment if you're out with friends and don't have the necessary tools to help with your photography.
Should you ever need a tripod in a restaurant to take a nice, non shaky picture of you and your friends you can make do with some glasses but you rish someone bumping the table and your camera getting drowned. The solution is simple, if the restaurant you're eating at has a Peugeout peppermill you can unscrew the top and screw the camera with the tripod mount to the peppermill. Voila, you have a nice table sized tripod which you cna even use to take a 360 degree panorama if you like by rotating the top :).
Friday, 24 September 2010
Photokina 2010 - Day 1
It has been two years since my first visit to Photokina and quite a lot has changed. Last time only Ricoh and Panasonic had interesting serious compacts to show and Olympus had their m4/3 mockup which ended up being completely different in the shape of the Olympus EP1.
This year almost all manufacturers had serious compacts even if for some it meant copying their biggest competitor (yes, I am talking about Nikon's G11 clone). At least it shows that the market wants serious compact cameras and expects more than just a simple point&shoot camera.
For me the first day was all about renting and trying out different lenses for my Panasonic GF1, it was a very interesting experience but more about this later. The main ting I wanted to see was certainly the most talked about announcement, the Fuji X100.
Fuji surprised everyone with their announcement and it certainlygot people talking and hopefully manufacturers thinking that maybe specs alone are not enough and sometimes you need to pay attention to design and functionality.
The X100 certainly got my attention with the retro Rengefider styling and controls. It is no surprise that I absulutely dislike dSLRs and especially the dSLR shape an form factor. Rangefinders on the other hand I like ver much and think this is exactly how cameras should be designed. The Fuji X100 reminds me a lot of my Panasonic LC1 and I am interested to get one just because of the build and controls of it and to support a manufacturer who goes against the trend of producing fake dSLR lookalike cameras.
The OVF with overlay is fantastic and aside from the body the only think which was finished but it is fantastic and provides a great experience, kind of what a Rangefinder these days should be if it does not have a red dot on it and is forced to live in the past.
Photokina was not all about the Fuji X100 though, it was also about new m4/3 lenses. The m4/3 format has really established itself as the best mirrorless format out there and now with not only Panasonic and Olympus but also Voigtländer and Zeiss releasing lenses for it, it gets better and better.
Since I took my GF1 with me I had to try all of the most interesting lenses for the format. First, I could not care less about the huge, slow and very boring telephoto zoom lenses for m4/3 and think they are mostly a waste of money and completely pointless. The lenses I was mostly interested in were the new 14mm f2.5 Panasonic lens, the 8mm fish-eye lens from Panasonic, their really cool 7-14mm ultra wideangle lens, the Panasonic/Leica 45mm f.28 macro lens, the new superfast Voigtländer f0.95 25mm lens and the only halfway decent lens from olympus the 9-18mm wideangle zoom lens. And I have tried them all, the rental system where one can try lenses and walk around with them is a fantastic idea.
The first lens I tried was the new 14mm f2.5 Panasonic but unfortunately it ended up being the most disapointing one. Sure, it is tiny, it is light and it focuses extremely fast while providing a very usefull 28mm focal length. Unfortunately as you can see above it is optically extremely poor and has actually more distortion than the 8mm fish-eye lens. Sure, with enough software correction it looks decent but not for he price Panasonic wants for it.
The next lens I tried was a completely different story, the 7-14mm lens is the most expensive m4/3 lens but it is worth every penny of the asking price. Not only does it focus very fast and has a constant aperture while not being very big, it is also optically excellent. There is almost no distortion at all and the lens performs well at any focal length. I lov the 14-28mm it gives and can't wait to get one. I just hope Panasonic will release more high end lenses like this which don't require massive software corrections.
The next les was the excellent Panasonic/Leica 45mm f2.8 macro and portrait lens. This is the best built m4/3 lens and fully deserves the price it's sold at. Optically it's excellent and it just fells nice to use. It works great for both portraits and macro. This is also a lens that I want to get at some point.
Next in line was the new Voigtländer 25mm f0.95 lens which should prove very usefull in low light, assuming one likes to manually focus. The lens itself was pretty light and well built but he lens hood looked weird and felt very cheap and flimsy. Unfortunately the lens does not have any electronic contacts to communicate with the camera o it acts lik any other legacy lens but a very fast legacy lens. Considering the only other f0.95 lenses are either overpriced c-mount lenses or the even more overpriced Leica 50mm f0.95 Noktilux this is certainly a very interesting alternative for m4/3 owners. This is a lens I really want but am not sure I will actually buy it.
Last on the list was the Olympus 9-18mm f4-5.6 lens. It is a nice lens and inexpensive so worth looking at. While i really liked he size and build it did not really impress me, 18mm is not really wide and f5.6 at 18mm is not realy fast either. It's more of a budget lens (as all Olympus m4/3 lenses I guess) and worth only if you can't afford the Panasonic 7-14mm lens.
I also had the pleasure to meet with felow blogger Björn and Hynek from the DP Review Ricoh forum and had a fantastic time and very interesting chat with them.
If you ask what about Ricoh, I have also seen them but this will be something for Day 2.
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